レビューされたフォトジャーナリズムに最適なカメラ

フォトジャーナリズムは非常に人気があります。これは、人々が文字よりもビジュアルを重視するためです。

受賞歴のあるフォトジャーナリストになるには、ジャーナリズムのスキルと高品質のカメラの 2 つが必要です。

市場に出回っている多数のブランドのカメラをふるいにかけるのは簡単ではありません。

混乱を避けるために、最新のフォトジャーナリズムのカメラ技術と機能を理解する必要があります。これには多くの時間がかかる場合があります。

時間がありませんか?

パニックにならない;この記事では、品質と価格のバランスが取れたフォトジャーナリズムに最適なカメラをレビューします。

各カメラの機能を詳細に掘り下げ、その基本的な機能、長所と短所について言及します。

フォトジャーナリズムカメラを購入する前に考慮すべき要素を提供することで、より多くの情報に基づいた購入を確実に行います.

では、購入を検討すべき最高のフォトジャーナリズム カメラについて詳しく見ていきましょう。

フォトジャーナリズムに最適なカメラ |製品レビュー

ソニー a9 II

ソニーは最近、この素晴らしいフォトジャーナリズム用カメラを発表しました。

このカメラは、速度、画質、オートフォーカス、連写速度、追跡、および被写体認識において強力です。

Sony a9 II は、メモリを内蔵したフルフレーム スタック型 CMOS センサーを搭載した世界初のカメラです。

この逸品は、毎秒最大 20 コマまで連続してブラックアウトすることなく写真を撮影できるため、フォトジャーナリズムに最適です。

カメラはブラックアウトフリーです。完全に無音の電子シャッターを備えており、独自のリーグに入れています。

被写体に気付かれたり、注意を促されたりすることなく静かに撮影できるという利点があり、邪魔をすることなく、撮影する決定的な瞬間を実現できます。

完全ステルス！

このカメラのもう 1 つの利点は、最大 1/32,000 秒までフル ストップを 2 段速く押すことができるシャッター スピードです。

晴れた日でも、ボケが好きで素早い単焦点レンズのユーザーなら、開放で撮影できます。

このカメラには強力なバッテリーが搭載されており、ビューファインダーで最大 480 枚、LCD モニターで約 650 枚の画像を撮影できます。

Sony a9 II を使用して、ビューファインダーで最大 105 分間、LCD モニターで最大 120 分間のビデオを録画できます。

Sony a9 II の動作温度は華氏 32 度から 204 度、0 度から 40 度で、印象的です。

アクセサリーシューキャップ、ACアダプター、接眼レンズカップ、電源コード、バッテリーチャージャーBC-QZ1など付属品も充実。

その他、マイクロUSBケーブル、ケーブルプロテクター、ボディキャップ、ショルダーストラップが付属します。

これらすべてのアクセサリが付属するカメラにより、それらを個別に購入する手間が省け、数ドルも節約できます。

製品のハイライト

• 5 GHz Wi-Fi、1000BASE-T イーサネット
• デュアル UHS-II SD カード スロット、ボイスメモ
• 24.2MP Exmor RS CMOS センサー
• 最大 20 fps の撮影、ISO 100-204800
• ブラックアウトのない Quad-VGA 3.7m-Dot OLED EVF
• 3 インチ 1.44 メートルの傾斜式タッチスクリーン LCD
• UHD 4K30p ビデオ、リアルタイム瞳 AF
• 5 軸 SteadyShot INSIDE 安定化
• BIONZ X イメージプロセッサ &フロントエンド LSI
• 693 ポイント フェーズ

長所

• 4K ビデオ
• 20fps でブラックアウトのないキャプチャ
• ワイヤレスおよび有線のファイル転送
• 最高のオートフォーカス システム
• 防塵・防滴
• 24MP フルフレーム センサー
• 5 軸 IBIS

短所

• 一眼レフのライバルに匹敵しないバッテリー
• S-Log ビデオ プロファイルは含まれません
• 画像バッファをクリアするときにビデオに切り替えられない

キヤノン EOS R5

ここ数年でカメラの購入率が低下したため、多くのブランドが顧客を引き付けるさまざまな方法を考え出しています。

キヤノンにはユニークなものがあります。すべてを仕様に落とし込み、顧客がストリーミングを開始するのを観察します。

これが、EOS R5 の背後にある一般的な考え方です。

EOS R5 は、フォトジャーナリストが必要とするすべての機能を備えたミラーレスです。

45メガピクセルのフルフレームセンサーを搭載し、4Kおよび8Kビデオをキャプチャできるため、何を撮影するかに関係なく優れたオプションになります。肖像画、スポーツ、または結婚式。

動きのある被写体を速く撮るのが好きなら、このカメラはあなたにぴったりです。

電子シャッターバージョンを使用すると、毎秒12フレームのバーストモードがあり、20fpsまで増加します。

これは実際には非常に高速であり、何も問題が発生しないことが保証されます.

Canon EOS R5 には、最大 8 段まで有効な優れたボディ内安定化システムがあります。これは大量のハンドシェイク防止支援です。

製品のハイライト

• 8K ビデオ品質と生のビデオ オプション
• 100% カバレッジのデュアル ピクセル II AF システムで、機械学習によって訓練された人間と動物を検出します
• 最大リフレッシュ レート 120 fps の 576 万ドット OLED EVF
• 12 fps / 20 fps バースト
• 完全に関節式のタッチスクリーン
• 1x CFexpress スロット
• 45MP フルフレーム デュアル ピクセル CMOS センサー
• HEIF 形式の 10 ビット HDR 写真
• EOS 5D Mark IV レベルの耐候性を主張

長所

• 至高のオートフォーカス モード – 人間/動物の追跡は印象的です
• 超精細な 45 メガピクセルの画像
• 12 fps のメカニカル バースト
• ボディ内手ぶれ補正は優れています

短所

• うっかり画面をタッチしてもフォーカス ポイントを簡単に移動
• ハイエンド ビデオ モードでの過熱により、カメラ内の録画時間が制限されます

Canon EOS 5D Mark IV

キヤノンは、5D Mark IV のリリースにより、高品質の主力カメラを製造するという遺産を継承してきました。

24-105mm f/4L II レンズから始めましょう。これは素晴らしい写真の選択肢であり、4K ビデオ ガジェットです。

このカメラを手にした瞬間から、満足のいくホールド感に気付くでしょう。

Canon のエンジニアは、5D Mark IV の重量を、以前のリリースである Mark III と比較して 60g 軽量化しました。

このカメラには、ジョイパッドのすぐ下にカスタマイズ可能なボタンがあり、フロント コマンド ダイヤルでさまざまな機能を実行できます。

たとえば、ファインダーから目を離さずに ISO を制御し、感度を切り替えるように設定できます。

AF感度は-3EV（ライブビュー時は-4EV）と月明かりよりも暗い。したがって、このカメラを使用すると、暗い場所で焦点を合わせるのに苦労することはありません.

このカメラは、最大口径 f/8 のテレコンバーターとレンズの組み合わせにより、野生動物の写真やスポーツに最適です。

背面ディスプレイの解像度は印象的で、フォトジャーナリズムの世界で最も鮮明な画面の 1 つとなっています。

また、信号ノイズが目立たずに、ショットの構成が簡単かつ非常に簡単になります。

5D Mark IV には、すべてのフォトジャーナリストに不可欠なヘッドフォン ポート、外部マイク ポート、USB 3.0 端子、および HDMI Mini があります。

また、NFC 接続と Wi-Fi の両方を備えているため、画像を互換性のあるデバイスに簡単に転送できます。位置タグ付け用の内蔵 GPS ユニットも忘れてはなりません。

製品のハイライト

• 36 x 24mm 30.4MP CMOS センサー
• LP-E6N 充電式リチウムイオン バッテリー
• ISO 範囲 100～32,000
• フル フレームの焦点距離変換
• オプティカル ペンタプリズム100% のカバレッジ
• シャッター速度 30-1/8,000 秒 + バルブ
• 重量 890g
• 30 fps での 4K ビデオ解像度
• 7fps の最大バースト レート

長所

• しっかりとした作りと扱い
• ライブ ビューとビデオ用のデュアル ピクセル CMOS AF
• 24MP のライバルよりもはるかに優れた 30MP センサー

短所

• センサーの 1.64x クロップにより、広角ショットを取得するのが難しくなります
• リアスクリーン固定
• 中程度の解像度とフレームレート
• 4K ビデオ用の 1.64 倍のヘビー クロップ

Nikon D5 DSLR

1 台のカメラで信頼性、パフォーマンス、および汎用性を必要とするフォトジャーナリストであれば、これは購入するガジェットです。

5 つのイメージ プロセッサと 12 fps の AE/AF を備えているため、200 枚の素晴らしい写真を撮ることができます。

さらに、高解像度の 4K ビデオを 30fps で録画できます。

Nikon D5 DSLR には、3280000 ISO まで拡張できる ISO 範囲があり、優れた低照度性能を提供します。

したがって、あなたの場所に関係なく;薄暗い記者会見場や暗い屋外の夜、このカメラで高品質の画像を期待してください。

Another thing that makes this camera stand out is its color fidelity feature that enhances the photo and video quality making it perfect for documentary photography.

Product highlights

• DSLR form factor
• CMOS Sensor 20.8MP FX-Format
• Time-lapse feature
• Auto white balance
• ISO 102400; can expand to 3280000
• 12 fps continuous 200 shoots

長所

• Great low light performance
• 4K Video And HDMI Output
• Convenient touchscreen monitor
• Faster continuous shooting
• 153-Point Autofocus System
• UHD video recording
• Better picture quality
• Extended ISO range

短所

• No Wi-Fi or Bluetooth

Nikon D850 FX

If you want thrilling new capabilities to take excellent shots, Nikon D850 is perfect.

It has a speed of 9 fps which is relatively high but perfect for a photojournalist.

It has a superior AF system that gives it performance stability; hence you can consistently take masterful quality images.

With a resolution of 45.7 megapixels, this camera will give you excellent quality videos and images for photojournalism.

This camera has slow-motion 1080p video recording at 120 frames per second speed.

This camera is pretty easy to use thanks to its tilting touchscreen and battery that lasts for long hours.

For extra photo sharpness when using this camera, have a Fisheye lens mounted.

Product highlights

• SLR form factor
• Full frame sensor
• Video resolution:1080p
• Auto white balance
• ISO 64; expandable to 32
• Nine fps continuous shooting
• Max resolution:47 MP

長所

• Full frame sensor
• Good for journalists
• Greater dynamic range
• It comes with a flipping touchscreen
• Faster image processing
• Autofocus and white balance
• Vibrant image quality

短所

• It might be a little bit pricey for beginners.

Fujifilm X-T3

Fujifilm’s new fantastic innovation, the X-T3 mirrorless digital camera, is just what you need to take your photojournalism career to the next level.

One spectacular aspect of this camera is its body, made of durable magnesium alloy. Therefore, you can use it outdoors regardless of the weather conditions.

FUJIFILM X-T3 has a 30 fps continuous shooting speed, applicable when taking moving car photos or creating wildlife documentaries.

It has an X-processor CMOS 4 sensor, a back-illuminated sensor that improves image quality. This feature allows excellent picture quality without an optical low-pass filter.

The camera has an ISO of 160, allowing you to take sharp images almost with zero effort.

Since its AF system can track subjects in motion, it has an ISO range of 12800, perfect for noise reduction.

The NR process helps to reduce it further through differential data.

Product highlights

• 4K video recording
• Mirrorless
• HDMI output
• Auto white balance
• X trans CMOS 4 (26.1MP)
• 11 fps continuous shooting
• Noise-reducing ISO 12800

長所

• Interchangeable lens type
• Back-illuminated sensor
• Enhanced ISO performance
• Blackout-free continuous shooting
• Tilting touch screen panel
• Internal SD card for storage
• Better color depth

短所

• A little bit pricey for beginners

Pentax K-1

You want to capture every moment and detail as a photojournalist, and Pentax K-1 allows you to do exactly that.

Your high-quality, low-light performance, precise AF system, superior white balance, and powerful image processor are what you need to stand out.

This camera is engineered using a highly effective full-frame CMOS sensor (36.4 MP); a feature allows you to take excellent quality and high-resolution photojournalism pictures.

It has an ISO sensitivity range that you can expand up to 204800 for better noise reduction.

This improved processing capability lifts low light performance to a satisfactory level.

The full-frame sensor also helps to resist noise at its best.

Regardless of your environment’s lighting conditions, trust its PRIME IV Processor to bring out stunning quality photos.

The Pentax K-1 is one of the easiest to use photojournalism cameras because its functionalities are not so complicated.

Additionally, its body is of excellent quality, allowing you to use it in the rigors of working in harsh weather conditions.

Product highlights

• SLR
• Wireless connectivity
• Cross tilt LCD
• Auto white balance
• 36.4MP CMOS Sensor
• Weight:2.22 pounds
• LED illuminated body points

長所

• Weather-resistant construction
• Compact and balanced weight
• Convenient LCD screen
• Flexible Wi-Fi connectivity
• Enhanced ISO performance
• Daylight and cloud balance
• It has an excellent noise reduction algorithm

短所

• Video resolution is standard but not high.

キヤノン EOS R6

This camera’s expanded ISO and enhanced AF performance make it stand out in the photojournalism field.

It comes with two shutter options allowing you to shoot continuously at a faster rate.

It has a silent electronic shutter with about 20 frames per second, whereas the mechanical shutter shoots at 12 fps.

Canon EOS R6 has a potent DIGIC X image processor and an ISO range of 100 – 102400, which you can expand further to 204800.

It also has deep learning technology that quickly detects heads, eyes, bodies, or faces, making it easy to capture moving objects.

Canon EOS R6 has a 20MP full-frame sensor that makes it possible to capture high-quality images. You can cover almost 100% area with the dual pixel CMOS AF.

In addition, it has ultra-high-definition video recording capability at 2160p.

It has a tilting screen that allows you to capture images from all angles. Its buttons are well-made and feature an easy-to-use finger positioning while you’re shooting.

Product highlights

• Telephoto lenses
• Mirrorless
• 20 fps continuous shooting
• Auto white balance
• Cont. shooting:12 fps (Mechanical Shutter)
• DIGIC X Image Processor
• Cont. shooting:20 fps (Electronic Shutter)
• Full-frame CMOS (20MP)

長所

• Incredibly faster shooting
• UHD quality video recording
• Expanded ISO range
• Better AF coverage
• Two shutter options

短所

• It Lacks a Top LCD Screen
• Limited video recording options

Nikon D4s DSLR

With its image quality and specifically noise performance, Nikon D4s DSLR produces excellent results right up to ISO25600 and ISO51200, the highest ISO setting of any Digital SLR available.

The Nikon D4s DSLR has reliable exposure, detail, excellent color, low noise, incredible dynamic range, and highly continuous shooting and rapid focusing.

With this camera, you can shoot high-speed photos at 199 shots at 9.9fps without slowing down when shooting JPEG.

This speed makes it perfect for wildlife and sports photojournalism.

The body of this camera is awe-inspiring with a magnesium weather-sealed material.

This makes it an excellent value for money as it can withstand any weather condition hence lasting long.

Additionally, it has a two-year warranty; therefore, you can return it to your supplier in case of any issue.

Key features

• 16.2 megapixel FX Full Frame Sensor (Revamped)
• ISO10025600, expandable to ISO50-409,600
• 11fps continuous shooting with AF/AE
• 3.2inch 921k dot screen, improved color range
• Slow-motion 60/50fps in 720p
• Full HD Video, 60p, 50p, 30/25/24fps
• AF with tele-convertor up to f/8
• Uncompressed HDMI output
• Illuminated buttons, back, side, and top LCDs
• Gigabit 100/1000TX Ethernet – with FTP/HTTP support for instant uploads
• XQD and Compact Flash Slots
• IPTC can be added in-camera, GPS GP-1 compatible to update time from GPS signal
• Active D-Lighting, HDR, Picture Control, variety of retouch menus
• Kevlar/carbon fiber-composite shutter unit rated for 400,000 shots
• Spot White Balance metering
• Dual-axis electronic virtual horizon, also visible in the viewfinder
• Create time-lapse videos in the camera
• Updated AF system, 51 AF points, focus and take pictures in moonlight (-2EV)

長所

• Auto shutter speed control for auto ISO (based on the lens)
• 11fps continuous shooting speed with AF/AE
• バッテリー寿命の改善
• Excellent 3.2-inch screen
• Excellent weather-sealed build
• Excellent noise performance and expanded range
• Deep buffer
• 400,000 shot shutter rating
• Color adjustable monitor
• 60p and 50p video recording
• Two-year warranty

短所

• Loud shutter
• It doesn’t include capture NX2 

Camera For Photojournalism:Buying Guide

Buying a photojournalism camera is exciting, and you’ll naturally have a lot of emotions regarding the process.

However, choosing a camera that meets all your needs can be overwhelming, especially with thousands of choices available in the market.

A photojournalism camera is a long-term investment; therefore, you should take your time and decide on the one that will serve you best.

Below are some of the essential aspects you should consider when buying a photojournalism camera:

Image Sensors 

In photojournalism, quality is everything and image sensors help you attain it.

They convert color and light spectrum into electrical signals then the camera converts them into ones and zeros enabling you to capture all excellent moments.

For photojournalism 35mm full-frame sensor is perfect if you want the highest-quality images.

Zooming Abilities 

As a photojournalist, you may need to make videos and capture images from a distance.

Though some cameras may have fixed focal length lenses, which greatly enhance the quality of images, they are not enough for photojournalism.

Get a camera with a decent zoom ability of not less than 10x optical zoom, but 50x optical zoom would be much better.

If you plan to do professional wildlife photography, aim for the highest zoom ability as it requires a high degree of detail in taking images.

Ease Of Use

As a photojournalist, you will have projects that require you to be extremely fast in taking images.

At times, things will happen within seconds, and you need a camera that can capture those moments extremely fast.

Choose an easy-to-use camera so that you don’t miss out on critical moments that are essential in elevating your career.

Size &Weight

You carry your camera almost everywhere as a photojournalist, even in unexpected places.

Therefore a heavy camera with numerous lenses may not be proper for you.

It would be best if you got a camera that has a lightweight and compact size which you can easily carry everywhere.

Resistance

The world of photojournalism is very unpredictable; one time, you’ll find yourself shooting in the rain, another in snow or even wind or sun.

It’s therefore advisable to get a camera that can withstand all weather conditions. Get one that is water, heat, freeze, heat, and dust resistant to avoid getting frustrated.

Low-Light Performance

Though it may sound irrelevant, it’s essential to consider the low-light performance of a camera before investing in it.

As a photojournalist, you’ll shoot in low-light areas like conference halls.

If your camera doesn’t have excellent low light performance, you will end up with low-quality images.

Before purchasing your camera, check its low-light performance with and without a flashlight.

The low-light performance of a camera is signified by its ISO; the higher the number, the less light you will need and better the quality of images and videos under low light.

Manual Control

Manual control is essential in photography as it allows you to control aperture and shutter speed, allowing you to take great shots.

If you buy a mirrorless or DSLR camera, you don’t have to check for manual control as their system is relatively automatic.

However, if you choose to get a bridge or point-and-shoot camera, ensure that you check whether it has manual control.

Price

Before investing in a camera, consider the cost and ensure that it doesn’t exceed your budget.

Unlike what most people assume, an expensive camera doesn’t necessarily mean excellent quality.

At times, a camera may be costly but lack basic specs, which are critical in photojournalism.

Check its specs before buying your camera and compare it against your work and budget.

Resolution (megapixels)

Today, numerous cameras have high-megapixels of about 45 and even 80 and above. There are two advantages of these megapixels:cropping latitude and big prints.

With a 61 MP camera, you will produce gigantic prints with tons of detail, and you will also be able to crop in on your subject for a magnified view.

Though a camera with high megapixels may serve you well, it has drawbacks.

First, high megapixels typically reduce high-ISO capabilities leading to noisy, low-quality images in low light.

Additionally, high resolution means large file sizes; this causes your memory card to fill up quickly.

When it comes to megapixels, it’s important that you consider your priorities which depend on the shoots you are making.

If you require high resolution images, ensure that you have enough storage.

Durability

If you plan to shoot photos to take videos outdoors, you should buy a weather sealed camera. Your camera will withstand rain, heat, and wind, making it last longer.

Speed

If you are a photojournalist who requires photography action – wildlife or sports- you need a camera with high continuous shooting speeds.

Look into cameras that feature complex tracking algorithms like an animal or human eye AF. Additionally, you can look into 10+ frames per second and 50+ frames buffer.

Photojournalism Camera Equipment

As a photojournalist, you ought to have a quality camera at the very least.

However, there are certain specifics that you should be part of your camera equipment kit if you want next-level photography. They include: 

Lenses

Lenses are essential in creating stunning images as they ensure that the light reaches your camera sensor leading to quality images.

Regardless of the quality of your camera, the wrong lenses can lead to poor-quality photos and videos.

If your camera allows for interchangeable lenses, research the ranges of lenses available and choose based on the kind of shots you would like to take.

Wide-angle lenses will give you a more extensive field of view for Astro and landscapes and Astro.

Telephoto lenses allow you to zoom in on far-away subjects like athletes and birds.

Tripod

A tripod is especially critical if you’re interested in landscape photography or astrophotography.

When using a tripod, the camera stays still during exposures.

Using a tripod allows for lower ISO sensitivity and longer shutter speeds lowering sharp exposures and leading to minimal image noise.

A memory card

As a photojournalist, you’ll have a lot of data that needs storage and transfer to your computer; that’s where a memory card comes in handy.

Get a memory card that can hold plenty of photos — ideally over 1000 photos, if not more. Find a memory card of at least 16 GB, ideally, one that has 32 GB, 64 GB, or more.

A memory card is also essential in boosting your camera’s speed, which is critical in photojournalism.

Fast memory cards minimize your camera’s “buffering” time, helping you take more shots within a short time.

Cleaning kit

As a photojournalist, you want images of the highest quality.

It’s therefore essential to avoid minor smudges on your camera as they can distort details and get in the way of a photo’s overall quality.

To maintain your camera’s filters and lenses, get a cleaning kit with cleaning spray and a microfiber cloth.

Additionally, there are other alternatives, such as wet and dry cleaning products.

よくある質問

What brand of camera do most professional photographers use?

Most professional photographers use Nikon DSLRs or high-end Canon like EOS 5D Mark IV cameras.

However, there are many excellent choices depending on the professional results you want.

How many megapixels do professional photojournalist cameras have?

Professional photojournalists cameras have more than 20 megapixels.

Nonetheless, some admit that 12-megapixel digital cameras serve them perfectly as they provide clear digital pictures which they can print in every size.

What is the most important thing to look for when buying a camera?

The most important thing to look for when buying a camera is file size or MegaPixel (MP).

The higher the MP, the sharper the photo will look, and the larger you can print.

What is the focal length of photojournalism?

The focal length of photojournalism is 35mm.

However, it can be lower or higher depending on the quality you expect and the kind of project you want to work on.

What is the best lens for documentary photography?

The best lens for documentary photography is 50mm.

It provides excellent captions for outdoor and indoor photography without optical distortion.

最終的な考え

There you have it! Ten best cameras that you ought to invest in as a photojournalist.

Each of them is packed with photographic tech to help you take excellent images.

We and other camera enthusiasts have extensively tested each camera and they have all proved to be top performers within the boundaries of what it’s supposed to do.

It’s important to note that the best photojournalism camera depends on what you intend to shoot.

If you are focusing on fashion or beauty, you want a camera with a high resolution so you can crop in and print images on a large scale.

If you are focusing on news and sports, consider the tracking capability, burst rate, and weather sealing of your camera.

If you’re a beginner in the photojournalism field, you may want to get something less intimidating, like an entry-level DSLR that can help guide you through camera filters and settings.

Alternatively, you can purchase one of the cameras discussed above.

After this, take the time to read the manual and reviews for excellent quality images which will take your photojournalism career to the next level.